Tuesday, April 22, 2014

With little time apart, the Chilean Santiago, Dominga Sotomayor (1985) and the Galician Ferrol, Ayg


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With little time apart, the Chilean Santiago, Dominga Sotomayor (1985) and the Galician Ferrol, Ayguavives of Elizabeth (1974), have finished his first feature film: From Thursday to Sunday (Chile, 2012) and The Tree magnetic ( Spain-Chile, 2013), respectively. Two different stories kindly bear some similarities in their forms of expression, which will be produced curious coincidences, indicated and try to analyze in the following lines.
With credits: timid shrieks of birds leave you feeling successively steps outside and the water out of a hose. All night. A large glazed shower screen, window structured grids of wood separates two areas: firstly, in the shadow, a bed with head left someone sleeps; after the stained glass windows, which seems to be an inner courtyard, perceived the presence of a car to the left, whose right under the dim light of a lamp in the front of the house and from the interior of the adjoining window, a woman watering the ground with a hose; ends and puts inside through a door on the right front and right side of the car, and back out with strokes of clothing that gets into the vehicle. Sit open the door of the room and a male voice that whispers reassuring - Eso - and, soon, from the right, a man comes to the side of the bed with a package that looks human in the right arm; often takes the body rests there - Chissst! Ven. Súbete above mine - that seen in soft backlighting seems a girl, and go back to where he came. By slightly increasing rechouchío of birds that presides over the scene, now joins the barking of a dog. The woman bustle inside the vehicle for its back with the door raised, concludes and goes to the bottom. The door right out of the man with two children's bodies adurmiñados in arms leading to the interior of the vehicle, bomberman first the right and then the left. Leave it to feel the car engine and ignite while the rear lights bomberman situation. To the right opens the window of the house and the woman passes a package that includes the man from the courtyard and enter the car, immediately closing the back door. The woman goes to the patio, a new object delivery man, while you ask - Are you sure that you're looking bomberman vaya? Him Hemos talked ya - replies the man, who enters the house, the lights go out and the inside of the front, back out to the patio, closed the door, go in the car, after boot stops soon, feels a close iron gate, a barking dog, and the car finally put up.
With credits: music tintinante. Dawns. Images landscape of high mountain, which adds the sound of nature, giving way to a sign that says "Mr. Tourist: You. if encuentra en una magnetic zone "one another now spaces nearby vegetation, bomberman the last of which is sensed at the front of a house, progression culminating in the presence of IOC that, tied in a column, it shows in your canvas bomberman sheets dried indicator it takes time out of use. In a sombre interior of the house, a framed photograph of a girl who looks through a window occupies part of a wall. The music stops here tintinante that, after the succession of the claims, stressing came together visually. In a room in darkness, in the middle of the top of a bed, lying on his back from left to right, rests a young woman of short hair and curl slightly, provided a white garment. Slowly, bomberman turns up and, from different points of view, even if you will waking up, leaving bomberman the bottom view, distant photo of the wall; your hands approach bomberman to bare feet and taking the bed for your lower back to position one of its ends upon a painted mark on the floor. Leaving the bedroom, she enters another room, slowly, standing in the new day; in his leisurely walk lightly brushes with the left hand of the barrel of a horizontally two guns hanging on the wall on the right. In another piece, a spherical wall clock Roman numerals mark in less than ten minutes; paralysis of segundeiro and the noise of the facility bomberman indicate that the device is out of play. In the kitchen, where through a window at an angle perceived bomberman vegetation outside, she pulls the fridge a small plastic container, with a finger of that test something creamy color Yellow, maybe a sweet fruit. Outside, in the garden that resembles a rustic, back, still in bed linen, handles it with a hose watering. Approaching now the foliage of a tree that Ripa various fruits, while the birds with their shrieks greet the new day. On the kitchen table, a Čeština Yellow fruit rests beside bomberman a circular container pla

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